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Up against Trump’s destructive presidency – can art and culture make a difference?

By Ken Grossinger.

Strongmen all want the same thing. They want us to feel powerless. When we feel we don’t make a difference, that’s when they win.

But long before Trump, Musk, and their sycophants began to demean and attack environmental justice activists in order to chill our protest, and long before they acted to shred anything that runs counter to their toxic environmental policies, the EJ community – along with many others – was re-evaluating its strategies and tactics for building power. Our often hide-bound approach to social change needed new shots of creative thinking because it remained insufficient to challenge corporate and government policy and practices that harmed our communities.

Even today, while the nation’s courts offer legal advocates a vehicle to fight back, it’s becoming increasingly clear that the courts may not restore or advance the policies we’ve long fought for. To the contrary, the latest legal assault on Greenpeace by corporate giant Energy Transfer makes it abundantly clear how the court may be weaponized to destroy our organizations and silence our voice.

Community organizing and public protest remain essential to win. And elevating art to amplify and deepen our campaigns for environmental justice is crucial to shifting false narratives and to enriching our fight. That might sound thin in the context of the onslaught against our work, but an upsurge of new alliances – fusing politics and culture – is altering how we think about and approach our campaigns.

When people are not emotionally primed to accept new ideas, they often don’t. Think about the graphs, charts, and data that environmental organizations have used over the decades to make our policy cases. While necessary, quantitative data is rarely sufficient to move people into the streets or even in the halls of Congress. For that, passions need to be ignited, and our emotions and sensibilities brought into play. 

Art has a unique capacity to penetrate popular culture in ways organizing never will. It’s why movement leaders over the years led with so many forms of art that give rise to and support organizing. Just look at a few historical and contemporary examples.

Think about music, an ever-present force in organizing during the civil rights movement. Activists sang to strengthen their resolve and overcome their fears.  Author Bruce Hartford said “the songs spread our message, bonded us together, elevated our courage, shielded us from hate, forged our discipline, protected us from danger, and it was the songs that kept us sane.” 

During the same period theater galvanized farmworkers. The United Farmworkers (UFW) created El Teatro Campesino, a theater company driven by their members to take on agribusiness. UFW co-founder Delores Huerta said El Teatro was a powerful organizing tool, as important as the picket line in building solidarity among farmworkers to deal with strike-breaking scabs.

The power of film in political mobilization was evident in Jeff Orlowski’s cinematically beautiful Chasing Ice (2014), a film which brings the devastating impact of climate change into sharp relief. In a Ohio Congressional district represented by a climate change denier, Orlowski used polling to demonstrate how film shapes public opinion. The polling, which preceded and followed ninety screenings of the film, along with talk backs in theaters and the community, indicates that the film lifted by 15-25% (depending on the question) the number of people who thought that climate change was real, caused by human activity, and an extremely important cause for concern.     

More recently, following the police killings of so many young Black men and women, the Black Lives Matter movement spurred and embraced street art, amplified by social media, that spoke to our communities. Across the nation and internationally artists painted hundreds of George Floyd murals. The Floyd mural became an iconic image of the 21st century. A symbol of protest. A tribute. A way to heal.

Artwork in the form of music, film, theater, painting, storytelling and more have always helped shape narratives about social justice.

We won’t win if we don’t organize, but organizing alone is unlikely to produce long-term change if we’re unable to touch the heart and reach the soul of our communities and shift the narratives that maintain the status quo. Cultural strategies do that.

Ken Grossinger is a longtime movement strategist and author most recently of Art Works: How Organizers and Artists are Creating a Better World Together (New Press, 2023) For more information about Art Works or to schedule a book talk, see www.artworksbook.com

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Toxic Tuesdays

Carbon Disulfide

Toxic Tuesdays

CHEJ highlights several toxic chemicals and the communities fighting to keep their citizens safe from harm.

Carbon Disulfide

Carbon disulfide is a colorless liquid chemical that readily evaporates at room temperature. It occurs naturally during composting and volcanic eruptions, but most carbon disulfide is manufactured by humans for industrial purposes. Most manufactured carbon disulfide is used in the production of rayon, a semi-synthetic fiber used to make clothing. Other uses of carbon disulfide include manufacturing of cellophane, certain pesticides, and vulcanized rubber.

While carbon disulfide enters the environment from naturally occurring sources, most of it comes from emissions from industrial facilities that make or use it. Most carbon disulfide that enters soil or surface water quickly evaporates into the air. This means that the primary way people become exposed to carbon disulfide is through breathing contaminated air. People who work at rayon manufacturing facilities are the most likely to become exposed, but people who live near these facilities have been known to be exposed as well. When pesticides manufactured with carbon disulfide break down in the environment, the carbon disulfide can be released. People who work with these pesticides or live near where they’re applied can become exposed at high levels too.

Long-term inhalation of carbon disulfide causes serious nervous system dysfunction, including tremors, abnormal movement, decreased sensitivity to pain, and vision impairment. It can also cause elevated cholesterol and cardiovascular disease. Short-tern inhalation of high levels of carbon disulfide can also cause serious neurological dysfunction including psychosis, paranoia, mood changes, and hearing problems. Adverse health effects associated with carbon disulfide inhalation have been known since the early 1900s.

The evidence is clear that carbon disulfide exposure is dangerous to human health, and its use can be replaced in many industries. For example, there are ways to produce rayon that don’t use carbon disulfide, but they are not widely used because they are more expensive. Regulations that stop carbon disulfide use in these industrial processes would protect human health without having to end production of these useful consumer goods.

Learn about more toxics

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Never Again: Responding to the Moss Landing Battery Facility Fire

By Ben Chisam.

On January 16, 2025, a fire broke out in Moss Landing, California at the world’s largest lithium-ion battery storage facility. The fire burned for several days, and 1,200 residents were temporarily evacuated. While this was the fourth fire at the facility since 2019, this event was “much more significant” according to professor Dustin Mulvaney at San José State University. The photos are just devastating.

Shortly after the fire, community members began to complain of symptoms like headaches, nosebleeds, and a metallic taste in the mouth. Many have been concerned that the fire released toxic chemicals into the environment which may cause negative health impacts. Additionally, the region is known for growing fruits and vegetables, and some question whether this produce will be safe to consume in the future. To make matters worse, the facility reignited on February 18 and burned for 2 days.

Within a few days after January 16, the group Never Again Moss Landing (NAML) was formed by community members to share information about each other’s symptoms. Within a week, volunteers collected over 100 dust samples to test for heavy metals deposited by the fire. In recent weeks, NAML has taken direct action to demand that government officials provide resources to victims and pass legislation to prevent future accidents. They have created a website (neveragainmosslanding.org) where you can learn more about the information they’ve collected and upcoming events.

Thus far, CHEJ has supported Never Again Moss Landing’s fight in a couple ways. We began by independently analyzing and summarizing soil data collected by Dr. Ivan Aiello at San José State University shortly after the fire. We came to similar conclusions as many others studying Moss Landing. There were significant increases in cobalt, manganese, and nickel in the soil after the fire, with average concentrations above EPA Regional Screening Levels. These results signify a threat to human health, as cobalt and nickel are carcinogenic while cobalt and manganese are neurotoxic. This may just be the tip of the iceberg, as it’s likely that many other substances besides the metals Dr. Aiello studied were present in the smoke generated by the fire. Therefore, more extensive testing of air, soil, and water is needed to account for these chemical possibilities and the threat to human health they represent.

More recently, CHEJ developed a community survey to gather information about how residents have been affected by the fire and what demands they have for the government and Vistra. The results of this survey should help shape the future of NAML’s organizing strategy. Beyond this, CHEJ’s Science Director Stephen Lester has provided general science and organizing support to NAML’s leadership.

The facility at Moss Landing is what’s known as a battery energy storage system (BESS). These systems are able to store electricity generated by renewable energy sources like solar panels and wind turbines. Because of this, places like California are adopting BESS as a strategy to mitigate climate change. However, the fires at Moss Landing put into question the safety of these facilities. Monterey County Supervisor Glenn Church has compared the event to the 1979 Three Mile Island accident, which led to stricter safety protocols in nuclear power plants: ““If renewable energy is going to be the future, it really needs to be safe energy. There’s got to be lessons learned from this. There really needs to be a full independent investigation of what’s happened here.”

While battery energy storage systems like the facility at Moss Landing are meant to address climate change, they are clearly still capable of harming human and environmental health. If these systems are to become widespread, it’s essential that action be taken to protect communities from toxic contamination in the future. California state assembly member Dawn Addis has introduced a bill to require new regulations for energy storage facilities and the utilities commission has proposed new safety protocols. Climate change is an urgent problem, but we need to ensure that “clean” energy is clean for all.